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The lot is under the bonded status and cannot be collected on-site at ...

Lot No: 214

Estimate(RMB): 600,000-800,000

Price Realized(RMB):1,725,000(Including commission)

The lot is under the bonded status and cannot be collected on-site at the auction. Please refer to CONDITIONS OF BUSINESS for details.

此為王鐸存世最早臨《圣教序》扇面,也是存世唯一臨《圣教序》扇面。據(jù)考,目前王鐸存世可見臨摹《圣教序》之作僅三件,皆為其青年之作:其一為冊,天啟五年(1625)八月,王鐸為禮部主事韓琳所臨《圣教序冊》(遼寧省博物館藏);其二為軸,天啟六年(1626)閏六月,王鐸為南京兵部右侍郎謝啟光臨《圣教序軸》(玉照山房舊藏);其三即本幅泥金扇面。
不同于王鐸臨《圣教序冊》忠實于原作字形的把握,以及臨《圣教序軸》將原字“拓而為大”臨寫的分解強(qiáng)化技法,本幅扇面在結(jié)體用筆上基本忠實于原作,但根據(jù)書寫材質(zhì),將原字縮小寫之,是書家強(qiáng)化臨習(xí)的另一手段。
將本幅與原帖《圣教序》(黃培藏宋搨本)進(jìn)行對比(如圖),其間如“雙”“瞻”“妙”“宣”“云”等字,略變轉(zhuǎn)折連帶、欹側(cè)關(guān)系、大小以及用墨等,行筆流暢,有意排布經(jīng)營,典雅古樸??筛Q探王鐸書學(xué)二王之蹤跡脈絡(luò),體現(xiàn)了其精湛臨摹技藝,也體現(xiàn)了王鐸在書學(xué)上的思考與變動,為其日后“變法”奠定了深厚的基礎(chǔ),別具韻味。
據(jù)王鐸自述,其十五歲開始學(xué)習(xí)《圣教序》,與古為徒,一生臨池不倦。本幅書于崇禎二年(1629)八月,時王鐸38歲,返里小住之時。
考年譜,除本幅外,王鐸崇禎二年(1629)于家中臨習(xí)二王大量碑帖,可見其對王字之熱衷。如三月十四日,王鐸臨王羲之《鄉(xiāng)里人帖》草書軸(日本原田積善會藏);三月二十二日,王鐸為二弟王鏞臨王羲之《嫂安和帖》扇(《聽帆樓書畫記》著錄)等。
除書家的身份外,王鐸亦是明末清初訪碑活動的重要參與者與碑帖拓本的鑒藏家,深深影響著身邊的友人,是明末清初金石學(xué)振起以及集王風(fēng)氣復(fù)興的關(guān)鍵人物,也藉此呼應(yīng)了傳統(tǒng),并擴(kuò)展了二王法書的影響。以其收藏《圣教序》佳拓為例,日本藤井有鄰館所藏宋拓本有王鐸數(shù)則題跋,有順治四年(1647)八月題云:“每遇煩憊,一披矚輒有清氣拂人,似游海外奇山,風(fēng)恬浪定,天光水像,空蕩無岸……”等;以其題跋友人所藏《圣教序》為例,崇禎十三年(1640)冬,王鐸跋黃培藏本:“茲帖宋拓之最精者,他刻皆執(zhí)圭趨拜其下,譬之王會天子,垂裳于明堂之上,萬國諸侯咸為臣伏”等,不計其數(shù)。
本幅又經(jīng)宮本昂、宮昱兄弟鑒藏,更為難得。宮氏自明代紫元太史始便以收藏聞名,子行、玉甫昆仲更是精于歷代書畫品鑒,藏品頗豐,僅扇面即逾千幅。
WANG DUO THE EARLIEST UNIQUE EXTANT CALLIGRAPHY ON FAN LEAF
Ink on golden-painted paper, fan leaf
Dated 1629
Literature: 1. A Chronological Biography of Wang Duo: Extended Edition, vol. 1, p. 161, Zhonghua Book Company, 2020
2. Four Inscriptions on Wang Duo, p. 51, by Xue Longchun, Sichuan People's Publishing House, 2020
Exhibited: 'Art Exhibition of Golden-Painted Fan Leaves in the Ming Dynasty in Zhuozhengyuan Garden', Garden Museum of Suzhou, December, 2024
Note: Authenticated by Gong Ben'ang and Gong Yu.
55.5×17.5cm
RMB: 600,000-800,000
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